Jamie McLean has earned the distinctive honor (ahem) of being Guitar Jam Daily’s first Artist to Watch. Jamie is a musician who’s most well known for being the guitarist of New Orleans own Dirty Dozen Brass Band. But McLean has a longer list of credentials and talents that make him much more than just a sideman in a famous act from The Big Easy.
His solo project, The Jamie McLean Band, has put him on the stage with such big name acts as the Black Crowes, North Mississippi Allstars, Soulive, Robert Randolph, and Widespread Panic. The band features Jamie on guitars and lead vocals as well as his brother Carter McLean (drums, percussion), Derek Layes (bass), Jon Solo (organ, piano, keyboards) and Shelby Johnson (backing vocals). McClean can do it all from songwriting, singing, an play a mean guitar, through his offering of a soulful mix of rock, r&b, blues, and pop inspired music.
McLean’s influences are quite transparent – from the sounds of the Black Crowes, Little Feet, Allman
Brothers, Stones, Bob Dylan, Van Morrison, Sting and others, give his music a classic rock sound but with more depth. He has the vocal and guitar chops to make the music sound authentic and believable. You’ll hear many of the tones from the greats of the past in just about each of his songs but he always seems to find a way to make the music his own. This up and comer is one that has the writing, singing, and guitar chops of a future star.
McLean’s latest release This Time Around is a collection of eleven original songs and is his first full-length studio album. The CD combines rock, blues, country, jazz, R&B and the sounds of southern rock and funk. The album is filled with music that will keep your foot tapping and your head bobbing. You’ll find yourself singing these songs even when the music’s stopped.
The album kicks of with the song “Home Movies”, and right out the gate the guitars start firing and you’ll find your feet start hitting the ground. This artist is bringing the rock back home. McLean’s vocals and over driven guitars with jingly jangly chords in the background, and his stinging riffs give those who love this kind of music hope. Ahhh the ear popping Chuck berry double-stops - fatter and sweeter – with some Wah thrown in for good measure does an eardrum good.
In keeping with the theme of making home movies, the next track “Woman Stay”, opens up with a nice and funky-chunky repetitive guitar riff. The riff hangs in the back with a hypnotizing rhythm. The soul and grit of the vocals and the thick guitar behind it makes it one of the picks on the album. Plus, McLean always seems to throw in some fresh ideas just when you’re anticipating the logical next step in the song - a blistering guitar solo becomes a sweet horn solo or a chirpy harmonica solo for a nice surprise. He also uses bridges, vocal vamps, and tempo changes to make the song interesting and gives it staying power.
Proving that he transitions well from barnburners to more mellow ballads that smolder, he offers up songs like “Yesterdays News” that brings out the acoustic soul side of McLean. His vocal qualities and phrasing is a bit reminiscent of Edwin McCain, and seem to share the existential angst as he belts out the soulful vocals on a softer introspective tune of losses and life changes. The key difference is that McLean can back up those vox chops with guitar solos that also express the sorrow and pain of these universal situations.
Bringing the mood back up on the disc with smooth slide work on “Holy Water” over the electric and acoustic guitar underpinnings. McClean comes out in unrepentant fashion on with a fiery guitar solo that no amount of water would put out. And the vocals match the passion of the guitars that keep driving this song.
“This Time Around” takes you back to the softer and more soulful side of the album. Piano, acoustic
guitar, and deep vocals simply takes the edge off. One thing is a constant throughout the playlist is the ever presence of the acoustic guitar, adding warmth and a glossy texture to the song and the album - something that is usually missing on many of today’s rock albums.
In a tip of the hat to Little Feat, or just a wave to the No’leans vibe, there’s “Innocence Lost”, an up tempo romp that makes you want to break out the washboard and the spoons and grab a hurricane. Yet another shining example of his diverse songwriting and guitar playing.
It’s clear from the first to last track on the album is that Jamie McLean is playing the music he was born to play. His guitar work is as versatile and natural as his singing and songwriting are well crafted. The guitars offer a range of sonic qualities and tempos. The music is real with a no-nonsense attitude that makes you want to believe that an artist like Jamie McLean is a great bet for the future of rock music.
Editors note: Next week Jamie McLean will be featured on The Jamcast .